FROM PUB ROOTS TO THE PIT LANE
CALLIE COOKE
PHOTOGRAPHY by Zachary Gray
On a unusually hot June day in London, Callie Cooke arrives for our interview fresh off a long-haul flight, still buzzing from the world premiere of her latest project, F1: The Movie. Despite the jet lag, her energy is light, airy and brimming with excitement. Perhaps best known for her performances in British comedies, Callie is now shifting gears, quite literally, as she takes on the high-octane world of Formula 1 in her newest role.
We sat down to talk about everything from her comedic instincts and her time in the Doctor Who universe, to how she carves out space for play amidst a packed schedule. And yes, she had stories to tell about filming on live race tracks, psyching herself up for a scene alongside Brad Pitt, and the thrill of stepping into one of the most adrenaline-fueled roles of her career.
The first breadcrumb in the release of these songs, could be found in the airwaves of Nashville public radio station, WNXP, who debuted the single, ‘Mirtazapine’ – a grungey rock song and an ode to Williams' favoured anti-depressant – on 23rd July. This was then followed up, just a few days later, with the announcement of a new hair-dye shade by Williams’ haircare company Good Dye Young which she founded alongside her stylist Brian O’Connor. The name of the shade was Ego and buyers of the product received a unique code that allowed them exclusive access to Williams’ new website, stylised as a 90s computer desktop with 17 never-before-heard .mp4 files waiting to be played and listened to for the very first time. Fast forward a week, and the songs are now available on streaming services, notably published as standalone tracks rather than part of a formal album.
The collection has all been produced by Daniel James, a longtime collaborator of Williams, who produced her previous album Flowers for Vases/descansos back in 2021. The result is a confident sound, distinctively at home in the alt rock space that Williams is so comfortable in, yet one that takes detours into shoe gaze, trip hop and 90s grunge. Whilst Williams’ past projects have always felt self assured, these singles feel laced with a sense of self that has allowed for more experimentation. It’s Williams having fun, no doubt touching on serious subjects, but with a distinct level of creative freedom that appears to be ushering in a new era for the Paramore front woman.
Surprise albums are by no means a new thing in the music industry, but each time an artists decides to drop a collection of new tracks all at once, it’s a welcomed disturbance to the traditional release path associated with major record labels. By releasing these 17 new singles in the way she has, Hayley Williams establishes her new-found independence from Atlantic records, following the end of Paramore’s contract with the company in 2024. The collection of songs also confidently portrays many aspects of Williams as a person; her vices, her beliefs, the little things that help her get by. Tracks such as ‘Ego Death at a Bachelorette Party’ and ‘True Believer’ explore her relationship with the South; a place that is her home but with increasingly disparate political views to her own. ‘Disappearing Man’ and ‘Love Me Different’ have fans speculating whether her romance with bandmate Taylor York has come to an end. Songs like ‘Dream Girl in Shibuya’ seem to tell stories of their own, no doubt inspired by her own experiences, but with a narrative quality that invites listeners to interpret the lyrics through their own lens — blurring the line between autobiography and fiction in a way that feels both intentional and intimate.
Listen to the full collection of songs now on Spotify.